Oscar weekend arrives again, along with my favorite blog post of the year, the family Best Picture rankings! My mother-in-law Barb has been doing this for 6 years, and the rest of the crowd for 5. Welcome back to the blog my wife Emily, brother Jason, sister Sarah, and brother-in-law Tyler!
Looking back, here are the team winners from past years:
2009-The Hurt Locker
2010-Black Swan
2011-The Artist
2012-Lincoln
2013-12 Years a Slave
This year we had some very clear opinions. Every single member put the same movies in the top 5 and the same 3 movies in the bottom 3.This is also probably our most consistent year ever, with no movie more than 3 spots apart on anyone's list.
It's also interesting that the movie (American Sniper) that has made more than the other 7 nominees combined ranked in the bottom 2 for all of us. The two lowest grossers, Whiplash and Boyhood, were big hits with all of us. As H.L. Mencken said, "Nobody ever went broke underestimating the taste of the American Public."
As you can see, there was also a whole lot of Boyhood love. Keep reading for some great write-ups from the whole gang.
It's also interesting that the movie (American Sniper) that has made more than the other 7 nominees combined ranked in the bottom 2 for all of us. The two lowest grossers, Whiplash and Boyhood, were big hits with all of us. As H.L. Mencken said, "Nobody ever went broke underestimating the taste of the American Public."
As you can see, there was also a whole lot of Boyhood love. Keep reading for some great write-ups from the whole gang.
| Movie | Ben | Emily | Barb | Sarah | Tyler | Jason | Average Rank | |
|---|---|---|---|---|---|---|---|---|
| 1 | Boyhood | 1 | 1 | 1 | 1 | 1 | 3 | 1.33 |
| 2 | Birdman | 2 | 3 | 2 | 3 | 4 | 2 | 2.67 |
| 3 | Whiplash | 4 | 5 | 5 | 2 | 3 | 1 | 3.33 |
| 4 | Selma | 5 | 2 | 4 | 4 | 2 | 5 | 3.67 |
| 5 | Grand Budapest | 3 | 4 | 3 | 5 | 5 | 4 | 4.00 |
| 6 | Imitation Game | 6 | 6 | 6 | 6 | 6 | 8 | 6.33 |
| 7 | Theory of Everything | 7 | 7 | 7 | 7 | 7 | 6 | 6.83 |
| 8 | American Sniper | 8 | 8 | 8 | 8 | 8 | 7 | 7.83 |
Here are our picks for the other categories. Simmons and Arquette are just about as locked up with this crowd as with the Oscars, while the Keaton/Redmayne race leans heavily towards Keaton from where we sit.
Director
Richard Linklater, Boyhood: Ben, Emily, Sarah, Tyler, Barb
Alejandro G. Innaritu: Jason
Actor
Michael Keaton, Birdman: Ben, Emily, Tyler, Barb, Jason
Eddie Redmayne, The Theory of Everything: Sarah
Actress
Julianne Moore, Still Alice: Emily, Barb, Jason
Reese Witherspoon, Wild: Sarah, Tyler
Marion Cotillard, Two Days, One Night: Ben
Supporting Actor
J.K. Simmons, Whipalsh: Emily, Sarah, Tyler, Barb, Jason
Edward Norton, Birdman: Ben
Supporting Actress
Patricia Arquette, Boyhood: Everyone
Original Screenplay
Boyhood: Emily, Barb, Sarah, Tyler
The Grand Budapest Hotel: Ben, Jason
Adapted Screenplay
Whiplash: Everyone
Ben
This film year started out a little slow, but we ended up with a really strong crop of nominees and 5 movies I really love. I don’t recall if there’s ever been a time when my two favorite movies of the year are duking it out for Best Picture. So, while I absolutely adore Boyhood and really want to see it win, I won’t begrudge any awards going to Birdman, another great film.
1. Boyhood
Those few who are more lukewarm on Boyhood tend to ask the question, “Would it be as powerful if it was shot as a normal movie?” Well no, and that’s a lot of what I love about it. The perfect marriage of form and content, Boyhood makes the audacious move of filming the same actors over 12 years and giving us something we’ve never really seen in a single fiction film: time truly passing by. Observing characters, both children and adults, age on screen led me to such an emotional response as they moved through life in what seems like an instant. As I watched, I was almost unbearably moved at the smallest snippets of dialogue, meaningful looks, or reappearance of a minor character. Boyhood is one for the all-time best lists.
2. Birdman
I love backstage dramas, surrealist comedies, and great cinematography that includes bravura tracking shots. So how could I not love Birdman? From start to finish, I was giddy with excitement.. The great cast, led first and foremost by Michael Keaton in a once-in-a-lifetime role, is constantly thrilling to watch bounce off one another throughout the breathless air of this movie. While the art vs. commerce ideas may not be particularly novel, it didn’t bother me a bit as the approach and filmmaking surrounding the thoughts was so thrilling. There’s already a growing backlash against this film, which will probably reach a fever pitch if it beats Boyhood for Best Picture. That’s too bad, because Birdman is one of the most idiosyncratic and entertaining nominees we’ve had in a long while.
3. The Grand Budapest Hotel
Wes Anderson was finally embraced by the Academy, without losing any of his distinctive vision. The Grand Budapest Hotel is an astonishingly beautiful movie, made up of intricate moving parts that all work together perfectly. The script is clever and moving, the production design exquisite, and the performances great across the board. I couldn’t love Ralph Fiennes any more in his role as M. Gustav (why oh why didn’t he get a nomination??). On a second viewing, even the nesting doll structure I didn’t love the first time totally worked as it highlighted the movie’s poignancy and themes of connecting to the past. TGBP is about a lot, chief of which is the “faint glimmers of civilization left in this barbaric slaughterhouse that was once known as humanity.”
4. Whiplash
Whiplash is such a tightly controlled, suspenseful, well-made movie, it seems like it should be a model for film school students. This story of a dysfunctional master-protege relationship was intense and gripping the entire way through, led by towering performances by J.K. Simmons and Miles Teller. It also has one of the best endings of the year, a tour-de-force sequence that will have you debating cruelty, learning, and greatness for a long time to come.
5. Selma
Ava DuVernay directs Selma with a controlled and powerful hand, giving us many movies at once: a portrait of a heroic (but not sanitized) leader, a political horse-trading drama, and the sweeping sense of a social movement. The most powerful scenes in Selma for me are the marches, where we understand the stakes, know the main players, and feel as if we are there with those fighting for incredible social change. I also love David Oyelowo’s performance, going for subtlety and emotional embodiment rather than showy speeches. I thought the King/LBJ scenes weren’t quite up to the same level, not because of issues of historical accuracy but simply because I wanted to get back to the scenes of the movement. Selma is another movie where all the elements work together to form a powerful and coherent whole. It’s a movie that beautifully illuminates the past and connects it directly to our present.
6. The Imitation Game
The Imitation Game is a solid, well-made movie, enjoyable to watch and telling an entertaining and important story. Benedict Cumberbatch is an excellent actor, and he brings life and vitality to his role as Alan Turing. It’s also a little standard, feeling more like an “Oscar” movie made 15 years ago than anything that adds anything to today’s cinematic landscape. In a year of invention, it’s hard to hold this up as one of the best movies of the year.
7. The Theory of Everything
I liked the first half of this movie, showing the love story of Jane and Stephen Hawking, and how that love adapts at Stephen’s first glimpses of his disease. As the movie progresses, it makes the typical biopic move (mistake, in my opinion) of rushing through years to get to the “important” parts, and I became less and less interested. Eddie Redmayne and Felicity Jones are both very good in their roles, and it’s an interesting portrait of an unconventional marriage, but it’s not a movie I have any desire to watch again.
8. American Sniper
Oh boy. I hated this movie more than any Best Picture nominee I can remember. I do think Bradley Cooper was good in it, but he seems on loan from a movie with more ideas and nuanced characters. If you want to wave a flag, worship a sanitized “hero,” and not think too hard about international issues, this is the movie for you. I’m hoping this one leaves the theater empty-handed on Sunday.
Should Win:
Picture: Boyhood
Director: Richard Linklater, Boyhood
Actor: Michael Keaton, Birdman
Actress: Marion Cotillard, Two Days, One Night
Supporting Actor: Edward Norton, Birdman
Supporting Actress: Patricia Arquette, Boyhood
Original Screenplay: The Grand Budapest Hotel
Adapted Screenplay: Whiplash
Emily
Happy to be back for another Academy Awards on my favorite blog! It was an interesting year at the movies. Here are my thoughts:
1. Boyhood
A beautiful, history-making film and major achievement for Richard Linklater, a director with a knack like no other for portraying time and change and human relationships. Fantastic performances by the brilliant Patricia Arquette and the ever-charming Ethan Hawke.
2. Selma
A powerful telling of a tumultuous moment in our nation’s history. Like many, I was bothered that the Academy overlooked Ava DuVernay. David Oyelowo (also overlooked) captured Dr. King’s spirit so well without feeling like an impersonator. And that song (“That’s why Rosa sat on the bus/That’s why we walk through Ferguson with our hands up”) – a sobering reminder of the long way we still have to go.
3. Birdman
A thought-provoking magical realist exploration of identity, (alter) ego, and what’s-it-all-for. While some of the fancy long-take camerawork was lost on me, I know people who notice these things were very impressed. Superb performances by Michael Keaton and Edward Norton.
4. The Grand Budapest Hotel
A joy to see Wes Anderson’s delightfully quirky and artful style of filmmaking recognized as one of the best. It really is. A funny and poignant film with truly awesome production design and attention to every detail. I agree with Ben that it would have been fun to see a Ralph Fiennes nomination.
5. Whiplash
A troubling yet fascinating examination of drive, becoming the best, fulfillment of dreams(/egos), and one crazy brand of No Excuses teaching and learning. J.K. Simmons was terrifying. Also, this movie had one of the most interesting endings of the year.
6. The Imitation Game
A sad story about the brilliant Alan Turing—well-played by Benedict Cumberbatch, even if his character’s social incompetence felt a tad overdone. Within this male-dominated bunch of Best Picture nominees, Keira Knightley’s mathematical genius character, Joan Clarke, was a breath of fresh air.
7. The Theory of Everything
An engaging film about the remarkable life of Stephen Hawking, and quite a performance by the talented Eddie Redmayne. While this was an enjoyable watch, the story plodded a bit, repeatedly hammering certain themes over the viewer’s head (“Did you get that? God and Science.”) That said, I still liked it.
8. American Sniper
If you have an aversion to guns, this movie will probably not sit well. Yes, we need to be talking very seriously about the toll of war on veterans. No question. But do we have to glorify guns and dismiss any question of the ethics of shooting lots of people in the name of “doing one’s job”? Troubling were the bizarre moral messages, the use of a blatantly plastic baby, and the scene in which our protagonist shares a sweet and intimate moment with his wife in the kitchen, pointing a (loaded?) gun at her and telling her to “drop her drawers”. Oh boy. The acclaim this movie has received is confusing to me. Let’s hope that it at least has some redeeming value as a conversation starter.
Who Should Win:
Picture: Boyhood
Actor: Michael Keaton, Birdman
Actress: Julianne Moore, Still Alice
Supporting Actor: J.K. Simmons, Whiplash
Supporting Actress: Patricia Arquette, Boyhood
Directing: Richard Linklater, Boyhood
Adapted Screenplay: Whiplash
Original Screenplay: Boyhood
Jason
In past years, I’ve been very torn with how to rank the nominees. This year, the films are divided up into two very distinct catergories. Category one is the “wow, I loved this movie and would be happy if it won”. Category two is “I just can’t see how this is best picture material when compared to the others in category one. The first four on my list are category one and the rest fall into the second category.
Without further ado, here are my thoughts on this years Oscar nominated films!
1. Whiplash
From the opening scene until the unbelievable finale, this movie had me from the start. The physiological warfare waged by Fletcher coupled with Andrew’s all consuming desire to be the best makes for a riveting two hours. Enough has been said about J.K. Simmons and I couldn’t agree more with all of the accolades being given to him; I’m happy that he is going to come away with the Oscar. He is the new hardest working man in show business, I took a look at his credits and he has a whopping 24 new projects since Whiplash alone! My favorite moment at the cinema this year is the finale of this film. The moment when Fletcher goes from trying to screw Andrew to realizing that he is witnessing possible greatness is just magical and I could watch it over and over again.
2. Birdman
Between the incredible one shots, seamless editing and astounding acting from everyone in the ensemble, this movie is simply amazing. Watching the actors play off of each other while still maintaining the feel of the film is not a small task but Inarritu is up to the task. Michael Keaton is magical in his role of a former megastar trying to be revelant. My second favorite moment at the movies this year is the scene where Riggan walks through Times Square.
*I have to caveat here, I really can’t decide between Whiplash and Birdman as my favorite film of 2014, but I’m under strict instructions that no ties are allowed!
3. Boyhood
Someone on Facebook wrote a pretty scathing review of Boyhood and they posed the question “if you didn’t know that this was filmed over 12 years and that it was a favorite to win Best Picture, would you think it was great?” I thought about this and for me, the answer is a resounding yes. I actually saw it when it first came out, before it started to gain steam and talk for the Oscars. Linklater pulled off an amazing achievement with his dedication to over 12 years to make this film. The brisk pace at which the movie flows, even thought it’s two hours and forty-five minutes demonstrates how well the script was written. The performances are excellent, the script is extremely relatable and the movie leaves you feeling great. My friends who have children absolutely adore this movie and to me, that’s a glowing endorsement because the movie rings so true for those who have or are going through raising a child.
4. The Grand Budapest Hotel
Anderson has pulled off pure movie magic once again. He is a true visionary and there is no one else like him doing movies today. I loved the sets, the fairy tale type story and especially the cast. I really wished Fiennes would have gotten a nomination, as he was incredible. The rest of the cast is awesome, I especially like the always bringing his A game creepy Willem Dafoe.
5. Selma
Selma was a very well directed, acted and written film. I learned a lot about that moment in time regarding racial relations and MLK that I’m pretty sure wasn’t thought in my history classes. Oyelowo was fantastic as MLK and I’m still shocked that he wasn’t nominated for best actor. I really liked this film and it almost made my top four, but I just couldn’t justify it as better than those ranked above it.
6. The Theory of Everything
I read that when Stephen Hawking screened this film, he cried and said it was “broadly true”. Based on my research on some of the other films ranked below this one, they can’t say the same thing. I thought the film did Hawking justice and obviously Redmayne was unbelievable. I enjoyed learning about Hawking and his wife Jane’s life together and then apart. Overall, it was a movie that I left feeling good about, but I just can’t see it as the best film of the year.
7. American Sniper
I read the book of the same name a few years ago, so I generally knew what to expect from this film. Eastwood directed one of my all-time favorite war films, Letters from Iwo Jima, so I knew he had the chops to translate the story well. Cooper nailed the role of Chris Kyle and Eastwood’s direction was what was expected. It’s shot pretty straightforward and technically looks and sounds great. However, to me it’s a pretty standard war film and this is another one that I just can’t wrap my head around it being a better film that the others above it in my rankings.
8. The Imitation Game
I love Cumberbatch and he played Turing as perfectly as you’d expect from an actor of his caliber. Other than that, it seems like a really standard story that’s almost like a made for TV movie with the production values of a big budget film. I remember thinking as the credits rolled that this was a good movie, but not great. Keira Knightley was fine in her role, but it almost felt like she was just playing herself. Alan Turing is such an important character in history, but just because the subject is so important doesn’t make a film great.
Those are my brief thoughts on each of the films nominated this year. Best of luck to everyone on Sunday.
Should Win:
Best Picture: Birdman
Best Director: Inarritu, Birdman
*Another caveat…if Boyhood wins best picture, Inarritu wins. If Birdman wins, Linklater will win for directing
Best Actor: Michael Keaton, Birdman
Best Actress: Julianne Moore, Still Alice
Best Supporting Actor: J.K. Simmons, Whiplash
Best Supporting Actress: Patricia Arquette, Boyhood
Best Adapted Screenplay: Whiplash (Gone Girl got robbed!)
Best Original Screenplay: Grand Budapest Hotel
Sarah
1. Boyhood
Richard Linklater is one of my favorite directors, and the Before Sunrise/Sunset/Midnight movies among my top movies of all time, so when I found out about this project, I was beyond excited, and it did not disappoint. I can’t remember the last time I’ve seen a movie so poignant and all the characters so realistic.I appreciated so much how real the story was, focusing in on the little details and moments that make up our lives, both as individuals and as members of a family. The dialogue was spot on- one scene that really stands out for me is when tween Mason goes to hang out with the older boys drinking beer and messing around with a saw. Nothing really happens, but the way all the boys interact was such a perfect portrayal of the awkwardness of trying to fit in and prove yourself. I also loved the end scene when Mason goes to college and rambles in sort of an escalated Linklater-y way about philosophy to impress the young lady. I can’t wait to watch this one again.
2. Whiplash
I don’t think I”ve ever really seen any movie exactly like Whiplash before- the editing was pitch perfect and intense the whole time. Both Miles Teller and JK Simmons were phenomenal. I don’t know how to explain how I felt during the movie, other than completely riveted and engaged in the story, while at the same time thinking a lot about what it means to be truly devoted to a craft.
3. Birdman
Another original, fun trip to the movies. The story wasn’t my favorite of the year, (I liked Emma Stone in it a lot, but I didn’t feel super invested in the father/daughter relationship parts) but the acting, score, and cinematography almost made up for that flaw for me. Loved the supporting characters, especially Edward Norton. The drum soundtrack and long shots were so cool.
4. Selma
Very powerful and moving snapshot of a true American hero- how depressing that six times more Americans saw American Sniper than Selma. Very good movie about a man that we all grow up learning about from a young age....yet don’t really know as much about as we should. I’m really sad that David Oyelolo did not get nominated- what an ambitious role to play and he did so masterfully. Some parts of the movie were pretty hard to watch given recent current events, like the shooting of the young man Jimmy Lee Jackson, who was also Tamir Rice/Trayvon Martin/Oscar Grant- the list goes on and on. An inspiring and sobering look at what has been accomplished so far….and how far we have still to go.
5. The Grand Budapest Hotel
Probably my favorite Wes Anderson movie since Royal Tenenbaums. There aren’t any of his movies that I don’t like, because I feel like what he does (great set design, cinematography, quirky characters, dry humor, fun soundtrack) he does so well. But Grand Budapest tried some new things; felt much darker. At some points it reminded me more of a Tarantino movie, and it worked well for me. In a lot of ways, Anderson movies are hard for me to rank in with other ones because they are just kind of their own thing.
6. The Imitation Game
A well made, old fashioned Hollywood thriller. Very engaging and fascinating story (why didn’t we learn more about Turing in school?) I thought the performances were solid and Cumberbatch was both awkward and endearing. I know that Hollywood always takes liberties with true stories but I felt a little disappointed after doing some of my own research to learn about some things in the movie that really made Turing look worse than he was (like his willingness to essentially commit treason by hiding the Russian spy to protect his own identify...a part of the story that had no basis in history).
7. The Theory of Everything
I thought that the performances in this movie were excellent by Felicty Jones and Eddie Redmayne. But I overall felt a little bored. Usually in biopics, I wish there was more focus on relationships and less on career. In this movie I felt the other way..I just didn’t feel like the story was interesting enough to hold my attention.
8. American Sniper
Things I liked about this movie: Bradley Cooper’s performance. Things I did not like about this movie- everything else.I could write a lot more than I will about my issues with American Sniper, both on a political and moral level and a cinematic level, but I’ll just say this- it could’ve been a lot better with a big dose of nuance-- both in its overly simplistic portrayal of “good guys and bad guys” in war, as well as the cheesy dialogue and one dimensional characters (as I mentioned above, I think Bradley Cooper did a good job given the script, but all the other characters were very flat). At least the fake baby provided for some moments of comic relief.
Should Win:
Picture: Boyhood
Actor: Eddie Redmayne, The Theory of Everything
Actress: Reese Witherspoon, Wild (caveat-I haven’t seen “Still Alice” but heard Julianne Moore is amazing..)
Supporting Actor: J.K. Simmons, Whiplash
Supporting Actress: Patricia Arquette, Boyhood
Director: Richard Linklater, Boyhood
Original Screenplay: Boyhood
Adapted Screenplay: Whiplash
Tyler
1. Boyhood
This year I did not have a distinct favorite as I often do. There were a number of films I really liked, but I don’t think any of them would make my personal all-time top 50, or maybe even top 100 (and I’m not a cinephile who has seen everything like Ben).
I really did enjoy Boyhood. I don’t think the gimmick (am I allowed to call it that?) really creates a more accurate or deep portrayal of growing up, but it does give a sense of the memory of growing up, showing both the big moments and some really trivial ones. I loved the ending where Linklater makes fun of his own style in his more idiosyncratic films (some of which do make my top 50). While it has some flaws, it is overall a great achievement.
2. Selma
This year there are a number of historical films (all in fairly recent history), and all with accuracy problems, as “based on a true story” often is. I think Selma is the least Brian Williams-y of the historical films this year, so I found it problematic that it faced such harsh criticism for what some see as too much emphasis on the role of the activist relative to his friend the president. I didn’t see LBJ as the antagonist of this film. This film didn’t have to create some evil man who gets his comeuppance; the antagonist here is a large chunk of the American citizenry, or “political reality” if you want. LBJ had some different concerns from MLK but they were fighting together here. This film does a great job at taking a story that has been mythologized as a “and then we all overcame evil together” and shedding light on the political realities of how the sausage was made. This is the same concept that I loved about Lincoln, and like Lincoln it focused on one very specific event. In Selma this look at political realities is not just limited to the Oval Office, it also does a nice job showing the fractures and frictions within activist groups and between individual protestors, who don’t necessarily treat MLK himself as infallible. The direction was assured but didn’t blow me away (or get in the way) but I still can’t believe David Oyelowo was passed over.
3. Whiplash
Whiplash is kind of like last year’s Philomena, in that it is a rather conventional storytelling about an unconventional person who isn’t “important” enough for their film to automatically get recognized by the academy (see: math guys below, King’s Speech, etc.). I really enjoyed watching this film and was pleasantly surprised that it was nominated since it doesn’t fit the Oscar mold and was done as an incredibly indie production. I thought the acting (especially J.K.) and the direction were great. These scenes about a drumming class have an intensity that many films cannot recreate with actual life and death scenarios. While the ending might be a little contrived, I honestly didn’t predict it going that way, and I left the theater very exhausted but giddy.
4. Birdman
While this wasn’t the movie about drumming, the (not nominated) percussive soundtrack was the backbone keeping the constant energy of the film. While I’ve seen this rather basic story and these themes a hundred times, the performances and the quasi-single-shot style creates in the viewer that gnawing “butterflies” feeling of performing live theater, making the film a different kind of thriller, where you are right there on this man’s last chance.
5. The Grand Budapest Hotel
I find all Wes Anderson films to be a treat. I think he is unfairly criticized by people who confuse distinct style with a lack of range, or people who can’t see past the hipster aesthetics (he created) to the humor and human characters that really hold his films together. While this isn’t my favorite film of his, I liked that he is reaching out further into other genres, incorporating elements of his heist films (Bottle Rock, Mr. Fox) and great escape film (Moonrise) into a fantastical mad romp.
6. The Imitation Game
Ever since I first learned the story of Alan Turing, both his achievements in mathematics/computer science and his incredibly depressing (and politically relevant) personal story, I have been saying they need to make a well-produced film so the world knows who he is and what he did. Not surprisingly, this film mostly ignores his (earlier) contributions to computation theory and his (later) contributions to the philosophy behind artificial intelligence to focus on his contribution to the war effort. I thought this part of the movie was decently done and created a nice narrative structure, but I was very disappointed with the personal characterizations of Turing. While I hear he wasn’t the easiest person to work with, it was unnecessary to turn him into some gifted loner genius stereotype. It also was unnecessary to create a “twist” by having a concurrent story of an investigator digging into his personal life where in reality he was very forthcoming and straight about his personal affairs.
7. The Theory of Everything
This movie is supposed to be about a well-known mathematical genius with a disabling disease. While it was fine to watch, nothing about him being a mathematical genius was integral to the film like it was with the Turing one, and the exploration of the disease and his coping felt rather flat to me and the material has been mined much better before (The Diving Bell and the Butterfly for example). I know it was based on a book by his wife about their relationship, and that is certainly the best part of the film, but I felt like it tried to overgeneralize the relationship, try to hard to show it was just a regular domestic drama, instead of trying to uncover some find truth by drilling into the details and reveling in the specific dilemmas and triumphs faced by this couple.
8. American Sniper
In a scene detailing the next Call-of-Duty-videogame-like mission, a commander explains they have a problem with an enemy sniper. Chris Kyle asks if it is Mustafa (the character Eastwood invented from a real rumor about an Olympic sniper to simplify all the competing sides, the regional/religious/ethnic/political differences, shifting allegiances, and mission creep into a single bad guy) was the sniper giving them trouble. The commander, who isn’t allowed the luxury of this worldview, responds with something along the lines of “if you kill him, he can be whoever you need him to be”. This scene is the only hint I got of what could have been a great film. I would expect the director of Unforgiven to be able to craft a film that explored the inner torment of a man dealing with his relationship to violence. I would expect the director of Letters From Iwo Jima to be able to craft a film that with a nuanced view of soldiers in relation to the war they are fighting. Instead, the psychological elements are unbelievably shallow and the realistic motivations of soldiers is replaced with chickenhawk Bush-apologist talking points, removing any emotional or intellectual impact. On top of that, the film is simply poorly paced and not even Bradley Cooper could save the dialogue. I think the only reason this film is a hit is because it reframes our messy war as a simple morality tale, where we can cheer on John Wayne as he blows away the savages and continue on our way. While the need for such a narrative is understandable for someone in a position like Kyle, we, the viewers (the citizens of this country), have no excuse. Clint tried to tell the story of a war hero but ended up creating one of the most cowardly films I’ve ever seen.
Should Win:
Picture: Boyhood
Director: Richard Linklater, Boyhood
Actor: Michael Keaton, Birdman
Actress: Reese Witherspoon, Wild
Supporting Actor: J.K. Simmons, Whiplash
Supporting Actress: Patricia Arquette, Boyhood
Original Screenplay: Boyhood
Adapted Screenplay: Whiplash
Barb
I am honored to be part of the Oscar Blog for my sixth consecutive year. Traveling to D.C. for the Oscar weekend with Ben and Emily is one of my favorite trips of the year. With the exception of American Sniper, I enjoyed all of the nominated pictures this year.
1. Boyhood
By far my favorite picture of the year. What an unbelievable accomplishment by Director Richard Linklater. How extraordinary to watch the same cast over a period of 12 years. The journey of this family as they navigate life, pitfalls and all, is something I think most of us can relate to. An outstanding cast with particularly strong performances by Patricia Arquette and Ethan Hawke.
2. Birdman
An all-star cast, and possibly Michael Keaton's best work. An aging former superhero struggles to find his identity by producing a Broadway play. Throw in egos, family dysfunction and a cast of quirky characters and you have a pretty entertaining movie. Much has been said about the cinematography in Birdman. Cinematographer Emmanuel Lubezki, and his team, produced a single-shot film made up of hundreds of shots. Pretty impressive. Although I loved this movie, I saw a lot of people with puzzled looks, scratching their heads as they left the theater.
3. The Grand Budapest Hotel
Well, Wes Anderson has really outdone himself with The Grand Budapest Hotel. I was totally swept up in this wild ride. Fun, quirky and visually stunning. Ralph Fiennes was brilliant.
4. Selma
What an excellent movie. The choice to focus on a short period of time surrounding the historic march from Selma to Montgomery allowed for a more in depth look at the significant people, events and emotions of one of the most historically important times in the Civil Rights Movement. David Oyelowo gives a powerful performance as Dr. Martin Luther King. Shame on the Academy for snubbing both Oyelowo and Director Ava DuVernay!
5. Whiplash
First let me say that J.K. Simmons scared the hell out of me! I can't even watch those Farmers Insurance commercials anymore. That being said, I really liked this movie. Does the end justify the means? What is the price of perfection? I don't mean to make this movie sound too deep because it wasn't. I just really liked the drumming.
6. The Imitation Game
What a fascinating story! I must admit, I knew nothing about the Enigma Code, cryptography or Alan Turing. Benedict Cumberbatch and Keira Knightley were both outstanding. What a sad and tragic ending for such a brilliant man.
7. The Theory of Everything
Another fascinating story I knew nothing about. It was often difficult to watch the slow physical decline of the brilliant Stephen Hawking. What struck me most in this movie was the profound love and devotion his wife, Jane Wilde Hawking, had for her husband and the emotional and physical toll this journey had on her. Outstanding performances by Eddie Redmayne and Felicity Jones.
8. American Sniper
Not my favorite movie, although I thought Bradley Cooper was excellent and deserving of an Oscar nod. Although the movie touches briefly on PTSD and the effects war has on families, it is basically a movie that makes a hero out of someone who thoroughly, and in his mind justifiably, enjoys killing people.
Should Win:
Best Picture: Boyhood
Actor: Michael Keaton, Birdman
Actress: Julianne Moore, Still Alice
Supporting Actor: J.K. Simmons, Whiplash
Supporting Actress: Patricia Arquette, Boyhood
Director:Richard Linklater, Boyhood
Original Screenplay: Boyhood
Adapted Screenplay: Whiplash
Thanks for reading. See you back next year!
