Oscar Liveblog

I'll be here all night-red carpet to Best Picture-live-blogging the awards.  I'll post newest posts to the top.  Feel free to comment as well!

11:35: Best Picture.... of course to The Artist.  It makes history by being the first "foreign" film to win Best Picture.  I ended the night 18/24.

Overall, it wasn't a particularly great ceremony, but it was full of minor surprises and I was riveted the whole way through.  I do feel bad for Viola Davis.  She was so great, expected to win, and yet lost in the last moments, even though she gave a much deeper performance than Octavia Spencer.

11:29: Best Actress.... to Meryl Streep.  Wow!  She finally wins her third.  I was just hoping it would be for a better movie.  I'm at 17/23.

11:18: Best Actor to Jean DuJardin.  Pretty amazing how this charming frenchman came in and so suavely took this Oscar from George and Brad.  I'm at 17/22.  An exuberant and heartfelt speech.

10:53: Best Director to Michel Hazanivicius for The Artist.  He beat the 4 big American directors.  Must feel strange.  16/21 for me.  And the "In Memoriam" always ends with the biggest star, so Elizabeth Taylor

10:48: Only the Top 4 left.  Could this be the shortest ceremony in a long time?  I'm thinking we just have the dead folks to go.

10:40: Live Action Short to The Shore.  12/17 for me, but my wife Emily is rocking our 52-person Oscar pool.  Way to go!  Documentary Short to Saving Face.  13/18.  Animated Short goes to The Fantastic Flying Books or Mr. Morris Lesmore.  I've miscounted somewhere but 15/20.

10:27: Adapted Screenplay to The Descendants.  This is where I hoped Moneyball would come through.  12/16.  Original Screenplay to Midnight in Paris.  Woody isn't there....as usual.

10:18: The very odd 2-song category goes to Man or Muppet of course.  11/15.  Who knew The Flight of the Conchords would be Oscar winners?

10:14: Score to The Artist, its second win of the night.  I'm 10/14.

10:00: Supporting Actor.  Christopher Plummer makes history as the oldest actor winner at 82! Well deserved.  I'm 9/13..

9:56: Visual Effects goes to Hugo.  Hugo is doing extremely well tonight, although I still don't think it has a chance for Best Picture.  I went with the Apes, so I'm at 7/11.

9:47:  Animated to Rango.  7/10.  I didn't really like this movie-it mostly made me exhausted.

9:43: Best Documentary to Undefeated.  Looks a bit like Friday Night Lights and I've heard it's good.  I did pick this one so 6/9.

9:38: Cirque Du Soleil.  Not necessary for the show but so freaking cool.

9:26: Sound Editing to Hugo, as I predicted.  4/7.  Sound Mixing to Hugo as well.  5/8.

9:24: Best Editing for The Girl With the Dragon Tatoo?? Wow!  No one was really expecting that.  At least this keeps things a little interesting.  I'm only 3/6, so screw my predictions for the year.

9:21: Christopher Guest troop doing The Wizard of Oz test screening!  So funny. Is he making another film?

9:14: Supporting Actress to Octavia Spencer.  Not my favorite in the category, but what an excited winner.  3/5.

9:07: Foreign Film to A Separation.  Thank God.  This category often makes weird picks, but they picked one of the best movies of the year this time.  2/4.  Also, a beautiful speech by the director.

8:58: Best makeup for The Iron Lady.  And the ass-showing by Cameron and J-Lo was quite trashy.

8:55: Best costumes to The Artist.  The first of many, I imagine.  I picked Hugo, so I'm only 1/3 so far.

8:53: So not only was Justin Bieber in the opening, Twilight was in the classic movies montage.  Ugh.

8:43: Cinematography goes to Hugo.  AGGGH! How could The Tree of Life lose this?  Now the great Emmanuel Lubezki has lost for two of my favorite movies-Children of Men and The Tree of Life.  Art Direction also goes to Hugo.  1 for 2 so far.

8:41: This feels a bit like 1995 so far.

8:25: Chris Rock: "I'm wearing FUBU!"  I kind of wish he was hosting.

8:12: Brad looking good.  Where is Angelina?

7:53: Nick Nolte is CRAZY.

7:46: Jean Dujardin loved the cinnamon rolls in the US.  That's great.

7:37: Not on this red carpet, but word is Sacha Baren Cohen doused Ryan Seacrest with "the ashes of Kim Jong II"  Pretty funny-will he pull any pranks inside?

7:28: Viola Davis has gone natural and looks stunning in emerald green.  And Michelle in a very "coral" (according to Tim Gunn) dress.  I also love Christopher Plummer's velvet tux.

7:21: Emma Stone's big bow? Yay or nay? Best dressed so far.  I say Jessica Chastain, Emily says Jessica Chastain, Barb says Octavia Spencer.

7:13: Jessica Chastain is absolutely gorgeous and what a year she had.  Not to jinx her with overpraise, but she reminds me of a young Meryl Streep.

7:00: And the Red Carpet begins.  Any red carpet where I don't have to listen to Joan and Melissa Rivers is great.  Tim Gunn and Nina Garcia are both here!  And here's Octavia Spencer.  Jonah Hill here with his mom-he seems like the kind of dude you'd just talk to at a party.

What's Your Take?: Ranking the Best Picture Nominees

For the third year in a row, I'm happy to have some special guests to run down their thoughts on the Best Picture nominees.  Three of us (me, my wife Emily and mother-in-law Barb) saw all 9 movies and ranked them, and the other two (my siblings Jason and Sarah) missed only 1 and 2.  While a couple of bloggers missed a movie or two, I think this still gives us a good sense of how the year shook up.  As in past years, I'm impressed with the critical eyes of all my family members. They are welcome anytime!

 First of all, here's the average score for each movie:

1. The Artist                                            1.6
2. The Tree of Life                                  2.8
3. Moneyball                                           4
4 (tie).  Hugo                                          4.2
  Midnight in Paris                                   4.2
6. The Help                                             5
7. The Descendants                                 6.4
8. War Horse                                          7.75
9 Extremely Loud and Incredibly Close    9

Our consensus number one obviously matches up with the Academy..   While The Artist was not everyone's number 1, it ranked no lower than 3 for all of us.  All of us who saw Extremely Loud also ranked it last, showing that it's place in the Best Picture race is pretty ridiculous.

We also each gave our preferences (who we think should win) in each of the other main categories.

Best Actor

Jean Dujardin-Barb, Emily, Jason, Ben
Brad Pitt- Sarah

Best Actress

Viola Davis-Emily, Jason, Sarah, Ben
Meryl Streep-Barb

Best Supporting Actor

Christopher Plummer- Barb, Emily, Ben, Jason
Kenneth Branagh- Sarah

Best Supporting Actress

Berenice Bejo-Barb, Emily, Sarah
Octavia Spencer- Jason
Jessica Chastain- Ben

Best Director

Michel Hazanavicius- Barb, Emily, Jason
Terrence Malick- Sarah, Ben

Best Original Screenplay

Bridesmaids- Sarah
A Separation- Ben
Midnight in Paris- Emily, Jason
The Artist- Barb

Best Adapted Screenplay

Hugo- Emily, Sarah, Barb
Moneyball- Ben, Jason

Without further ado, here are the individual lists!

Barb

First let me say that I am honored to be a guest blogger for the third consecutive year. I had a more difficult time with my rankings this year. Number 1 was clearly number 1, but two through six were pretty interchangeable. Here goes:

1. The Artist.
My favorite movie by far. A nostalgic look back at the era of silent movies and the transition to 'talkies'. A great story as we see the career of silent movie idol, George Valentin, painfully slip away, replaced by 'talkies' and the fresh new star, Peppy Miller. It is also a story about friendship, respect and tradition. Jean Dujardin and Berenice Bejo played their roles beautifully. I loved that the movie was filmed in black and white and relied minimally on dialogue bubbles. Uggie the dog and the tap dance scene at the end cemented this as my # one pick.

2. Moneyball.
What's not to love, it's a story about baseball. Sort of. It's actually a look at the business of baseball and a shift from the highly subjective look at what makes a winner to statistical analysis. Fascinating! Brad Pitt is at his best as the notorious Billy Beane. Additionally, their is wonderful chemistry between Pitt and Jonah Hill. I also really enjoyed all the old baseball footage.

3. The Tree of Life.
One of my favorite movies of the year. Having said that, I'm glad I knew a lot about the movie before seeing it or I would have been hopelessly lost. As it was, I was able to just sit back, enjoy the beauty of the movie and simply let the story unfold. Outstanding performances by Brad Pitt, Jessica Chastain and Sean Penn.

4. Hugo.
I liked this movie for many of the same reasons I liked The Artist. It's a movie about movies. Visually beautiful... the train station, the clock and, of course, Paris. I was fascinated with Hugo's automaton and loved how this connected to the rest of the story. I also really liked the ending when they showcased the work of Georges Melies. So great. My big regret was not seeing it in 3D.

5. Midnight in Paris.
First of all, I pretty much like anything Woody Allen does... professionally, not personally. Midnight in Paris is quintessential Allen. I love Paris and I loved this story. What could be more exciting than being transported back to 1920's Paris? I thoroughly enjoyed wandering through the bars and salons of Paris with Gil, hobnobbing with the likes of Gertrude Stein, Picasso, Ernest Hemingway, F. Scott Fitzgerald and Salvador Dali. Great supporting cast.

6. The Descendants.
A somewhat sad, somewhat humorous, story of a family in turmoil. My kind of movie! George Clooney is, of course, excellent and is surrounded by a strong supporting cast, especially 20 year old Shailene Woodley who plays his somewhat delinquent 17 year old daughter. A believable story about a family thrown together by a tragedy forcing them all to re-evaluate their roles in the family, adjust their priorities, learn to forgive and adapt to a new way of life. Hawaii provides a stunning background for this movie, although the whole land baron storyline was my least favorite part.

7. The Help.
I liked this movie, although apparently not as much as everyone else. An entertaining movie with a superb cast of actresses who all gave strong performances.I have to agree, however, with many who have reviewed this movie, that it could have been more challenging. I kept waiting for that to happen and it never did.

8. War Horse.
 I actually liked this movie more than I thought I would. It certainly is a heartwarming story about the bond between a young man and his beloved horse. The tranquility and beauty of the English countryside in the beginning of the movie is in sharp contrast to what we witness once WWI breaks out. My biggest problem with this movie was that everyone spoke English... with either bad German or French accents. I know this was billed as a family movie, and the use of subtitles was probably unrealistic, but I found it very distracting and it kept me from getting totally involved in the story.

9. Extremely Loud & Incredibly Close.
 I think this getting a nod for Best Picture was a surprise to many of us. Although I liked the movie, I think there were many other stronger candidates. It's an interesting story, and I think the fact that young Oskar had Aspergers added some depth. It shows the additional struggles that someone with a disability might experience when dealing with a tragedy of such magnitude. I wish they would have cast less well known actors as Oskar's parents. It's hard to look at Tom Hanks and Sandra Bullock and think anything other than 'there's Tom Hanks and Sandra Bullock'.

Emily

I'm happy to be back guest blogging with Ben, my mom, and my siblings-in-law! It was a pretty fun year at the movies - in addition to most of the nine Best Picture nominees, I also especially enjoyed The Muppets, Martha Marcy May Marlene, Beginners, A Separation, Win Win, and Bridesmaids. Here are my thoughts on this year's Best Picture contenders:

1. The Artist
In the age of computer-generated effects, I commend the risk The Artist takes in really paring itself down and still reaching a modern audience. Maybe the glimpse of the fast-changing film world of the late 1920s/early 1930s strikes a particular chord in today’s sometimes exhaustingly fast-paced world – and in the end, gives us the sense that things will be okay. Fantastic performances by Jean Dujardin, Bérénice Bejo, and of course, Uggie the Jack Russell Terrier.

2. The Tree of Life
Well that was different. I suppose if I was going to commend risk-taking, I should have picked Tree of Life as my number one of 2011. I know this was a divisive one, but I thought it was beautiful (definitely one for the big screen), profound, and so creatively directed by Terence Malick. A thought-provoking look at life, death, relationships, time, memory, beginnings, endings, faith, and love - just putting it all on the table for us to ruminate over. I liked it.

3. Midnight in Paris
So far, this movie has the distinction of being the only Best Picture nominee I've seen more than once, and I'd have no problem seeing it five more times! Having never been to Paris - and having not lived in the 1920's - I really enjoyed being transported there. Such a fun story and cast of characters and satisfying ending - I count this as a great success for Woody Allen.

4. Hugo
Striking visuals and design (even though the 3-D didn't do much for me), engaging story. And how cool was the automaton? This was a different kind of movie for Martin Scorcese, and I think he did excellent work. I thought the story was adventuresome and fun and unpredictable. It was a big year for celebrating film and France, wasn't it?

5. Moneyball
As not a big sports fan, I was pleasantly surprised by the fact that I did not get bored during this movie. Moneyball was sort of the anti-inspirational-sports story; maybe it's not about all about heart after all. I enjoyed both Jonah Hill and Brad Pitt (side note: loved the visor).

6. The Help
Our book club had read the book, about which I had somewhat mixed feelings. But who can argue with Viola Davis, Octavia Spencer, Emma Stone, and Jessica Chastain? Great performances by all of these women, and I do think that the book translated well to film. I just had this sense during some parts of the movie that it was trying too hard to have popular appeal. I will say, though, that my opinion improved after hearing Viola Davis interviewed - what a cool woman.

7. The Descendants
There weren't a lot of things I specifically disliked about this movie, but I wasn't blown away either. What I definitely liked was Hawaii - had it been set elsewhere, it would have been a completely different (probably less pretty) movie. I thought the main plot line about the family's mixed emotions in the wake of the mom's/wife's tragic accident was interesting, but the secondary plot line about the family's land seemed a little obvious and preachy. I did like George Clooney's performance.

8. War Horse
I really didn't want to see this because of my sensitivities to violence and animal suffering, but Steven Spielberg went above and beyond in his efforts to sanitize this movie for a family audience. Fine by me. I liked how the narrative progressed through the different chapters of Joey's (the horse's) life and the stories of his various caretakers, but thought it got a little long and seemed a little contrived at times. I am holding out hope they will walk the horse down the red carpet.

9. Extremely Loud and Incredibly Close
This movie was an okay watch, but I had no qualms about putting it in my #9 slot. I hadn't read the book, but sort of imagine it would be better as a book. This movie would have been so much better if we spent less time with the main characters, and more time with the stories of the people Oskar met on his journeys (in the style, maybe, of Into the Wild - i.e., more Viola Davis). I cried, but then felt a little annoyed that I cried. Definitely one to wait for on Netflix.

Jason

First of all, I have to say that I had a very hard time ranking most of these movies against each other.  I genuinely enjoyed each of them and I could easily flip of few of these around.  I will say that this year’s field seems quite weak compared to years past, nothing instantly stood out to me as a Best Picture.

1.The Artist
The Artist was funny, dramatic, touching and what I think of when I go to the movies to escape.  The acting and directing were amazing and in this day and age of special effects, over the top violence and second rate acting, it was great to see something as original as this.

 2. The Help
This was far and away my biggest surprise of the year.  This genre is usually not my favorite, but this movie just blew me away.  The ensemble cast was incredible, especially Viola Davis and Octavia Spencer.  I also very much enjoyed Jessica Chastain, Emma Stone, Sissy Spacek and Bryce Dallas Howard, all were perfectly cast.  The moment of the year in the movies for me was the s*^& pie, who could ever forget that?

3. Midnight in Paris
 I’ve always been a Woody fan and he didn’t disappoint with Midnight in Paris.  The casting was dead on and I truly enjoyed Owen Wilson as the everyday man stuck with a terrible fiancée just trying to find himself in a new and amazing city.  As in any Woody Allen film, the location of Paris was a central character and definitely has inspired me to take a trip there.  I was also so intrigued by the various literary characters in the movie that I read a couple of Hemingway and Fitzgerald books after seeing this film.

4. The Descendants
The Descendants falls into my favorite category of films, stories about real people going through realistic circumstances and the realistic way they deal with them.  George Clooney was unbelievable in his role and really made the movie.  I’m a huge fan of Sideways and was delighted to see Alexander Payne keep the same style and feel for this film.

5.Hugo
I was fortunate enough to see Hugo in 3D and really enjoyed it.  I really enjoyed the story of the boy who keeps the clocks working and his various struggles to cope with losing his father.  This was a great homage to early filmmaking; I thought the ending where they show all of George Melies work was so cool.  All of the cast was great, especially the Academy's favorite Sasha Baron CohenJ

6. Moneyball
I loved this movie about an incredible athlete who never quite found his stride on the field but revolutionized the game of baseball off it.  Brad Pitt was the perfect pick to play Billy Beane and Jonah Hill was great as his right hand man.  The writing was sharp and realistic (thank you Aaron Sorkin), the casting of the various players was great and the overall tone for the film perfectly fit with the story.

7.The Tree of Life
This was a very tough one for me and I have to caveat this by saying that I watched the first half while flying and was extremely tired.  I can’t say that I “enjoyed” this film so much as I appreciate it.  The montages of nature were just stunning, as good as watching any sort of Imax film like you’d see at a science museum.  The interactions between the father and his family were gripping to watch, but other than that I just didn’t connect with the characters.  The existential ending was interesting, but because I didn’t really care so much about the characters, it wasn’t very powerful for me.  I think if I went back and watched this film again, it’s highly possible it could move up the list.

Extremely Loud/War Horse-Unfortunately, I ran out of time and was unable to see either of these two films.  I was very surprised to see that Extremely Loud was nominated, being that it got very mixed reviews as compared to the other films up this year.  I’ll give it a shot when it comes out to rent, but I’m not expecting much.

I was also surprised by War Horse, I’ve heard it’s a pretty standard story and very predictable.  With that being said, it’s Spielberg so I’m sure the film is first rate.

Overall, it was a fun year at the movies with some truly original films getting a chance to shine, should be fun to see who wins.

Sarah

1.The Tree of Life
I can get why this would be a movie you either love or hate due to the risky choices by Malick in how he told the story..but it really worked well for me.  Like some of the other movies nominated this year, there were a lot of very memorable, even haunting scenes, but what makes Tree of Life stand apart is that all the separate scenes, as varied as they were (dinosaurs?) worked together to tell a moving narrative and message about family memory, nostalgia, and redemption.  This is the movie that will really stick with me.

2. The Artist
Since my favorite movie of all time is Singin' in the Rain, the Artist was very enjoyable for me!  Light-hearted, funny, entertaining, and charming, one of the most fun times I had watching any of the nominees. Like several of the other nominees, the nostalgia theme runs throughout, but in a way that leaves the viewer feeling hopeful for the future of movies and progress in general.

3.  Hugo
I think "charming" could also describe Hugo.  While I wish I had seen it on the big screen to fully enjoy the cinematography, even watching it on a computer screen had me captivated.  A little bit of Harry Potter and a little bit of Oliver Twist, I found the story captivating and, the set design, costumes, and cinematography were gorgeous.

4. The Help
While the criticisms of how race is portrayed in this movie are valid, especially in the pretty shallow portrayl of "the racist" Hilly detracting from the viewer being able to really examine more nuanced forms racism both in the past and today, I still really enjoyed this movie.  I thought the performances by almost all oft he women in the movie were fantastic, in particular Viola Davis in her subtle, quiet strength in the midst of many of life's hardships.  When I saw this in the theater, there were women from many generations present, and that added to the experience for me reflecting at how things have, and haven't changed since the 1960s.

5.Moneyball
While I'm not a big fan of sports movies, I was pleasantly surprised by Moneyball.   I enjoyed seeing the different views of the art of the sport, comparing the "just knowing" talent in contrast to looking at the players purely statistically.

6.Midnight in Paris
I had a lot of fun watching this movie- I had a lot of laughs at Owen Wilson as basically Woody Allen, and enjoyed all the cameos by famous actors throughout it.  I definitly left the theater with a smile on my face and in a good mood, feeling once again "charmed" (charmed and nostalgia seem to be common themes this year...).  However, I was a bit surprised that it got nominated for best picture- it was good but not particularily innovative, and while I enjoyed the characters, there wasn't much to like about Rachel McAdams' character.

7. The Descendants
Normally this is one of my favorite type of movies- dysfunctional family adapting to some type of crisis and pulling together, with some ragtag family friends and characters on the side.  I enjoyed some things about this movie- I liked the underlying humor in the midst of a devastating loss, and I thought that Shailene Woodley's performace as the rebellious yet loving daughter was very convincing.  However, a lot of things about this movie seemed inauthentic- I didn't really like George Clooney's character in it, didn't really get any glimpses into his history with his wife, and for some reason so much focus on the setting of Hawaii didn't really add much and distracted from the plot.

8. War Horse
I had the most trouble staying engaged during this movie- there were some isolated scenes I enjoyed, such as when the 2 opposing soldiers came together to get Joey out of the barbed wire fence; and I also thought some of the battle scenes were creative.  However, I felt like the dialogue was kind of fakey- I couldn't tell sometimes what was intentionally cliched or silly, and the whole first half hour of "this horse is a waste of money..." and then being trained in front of the skeptical townfolks felt like something I had seen a million times.

Ben

I absolutely love Oscar season and seeing all the Best Picture nominees.  That said, I have to say that this is a pretty weak year, especially compared to last year.  My least favorite film of last yea's nominees, Inception, is one I like more than at least 4 of this year's nominees.  I still think all of these movies are worth seeing (except my number 9 choice), but as a whole the lineup lacks greatness  It was also quite a year for nostalgia. The Artist, Hugo, Midnight in Paris, and War Horse all seem to have their sights set firmly on the past.  It's also a really safe lineup of movies.  Apart from being confused by The Tree of Life, there's nothing in these movies that wouldn't be fine to watch with your 90-year-old grandmother or 12-year-old child.  This isn't a criticsm per se, but it certainly wasn't a year for filmmakers taking huge risks being rewarded by the Academy.  I've enjoyed Oscar season this year, but also hope there is a little more wow factor next year.

1. The Tree of Life
For me, no other 2011 movie came close to the ambition and scope of The Tree of Life.  Terrence Malick seems to make movies apart from commercial consideration, and I love him for that.  I know it’s a love-it-or-WTF? kind of movie, but I think just about every moment was brilliant.  I loved the cosmic imagery and spiritual themes, but I think the heart of the movie does lies in the narrative of a child (Hunter McCracken) growing up.  The movie showschildhood as a series of brief but searing memories, and isn’t that how it feels to look back on it? With wonderful turns by Brad Pitt and Jessica Chastain (did any two actors have a better year?), this is my favorite movie of the year.

2. Moneyball
A smart, contained, closely observed, and even thrilling biography about baseball and statistics.  This movie is a small treasure where every piece comes together.  It’s about changing paradigms, second chances, choices, and redemption.  It moves the viewer deeply while never crossing the line into audience manipulation.  The smart script, crisp direction, and great lead performance by Brad Pitt all make for a great movie.

3. The Artist
A movie where the only appropriate response is a big old grin.  Taking references aplenty from Hollywood history, this movie is a kiss to classic Hollywood.  Every element is tightly constructed to look and feel like a classic film.  The movie wouldn’t have worked, however, without leads who knew how to play it, and both Jean DuJardin and Berenice Bejo go above and beyond to pull the viewer in.  While I don’t think this movie is especially profound, it’s immensely entertaining and the likely winner.

4. Midnight in Paris
A charming movie sure to appeal to me as an English major who loves Woody Allen and is soon visiting Paris.  Owen Wilson is the best surrogate Woody in a long while, and the cast of literary characters is consistently delightful.  So delightful, in fact, that I couldn’t help but feel a little loss of energy as we watch the present-day scenes.  As much as I really liked this movie, I also don’t get the “Woody is back” storyline.  Didn’t anyone see Match Point or Vicky Christina Barcelona, two equally enjoyable Woody movies from the 2000s?

5. Hugo
Like The Artist, Hugo is a tribute to the beginnings of film.  This one is done by the great Scorsese, who wanted to make a movie his 12-year-old daughter could see (what, she doesn’t like Taxi Driver?).  Hugo is a feast for the eyes, one of the few times I’ve found 3-D technology really worthwhile and enhancing to a movie.  The Paris train station and Hugo’s home in it are wonders to behold.  The movie also becomes incredibly poignant as it morphs into a look back at very beginnings of cinema.  Although I liked it a lot, my overall feeling about Hugo is more admiration than love.  It’s so beautifully put together that, at times, I felt it needed a little more room to just breathe.

6. The Help
The Help has made its fair share of waves this year, with quite the debate over its portrayal of race and history.  While I certainly found elements of the story’s construction problematic, I also can’t deny that The Help is really entertaining to watch and earns some honest tears along the way.  There is not a lot of subtlety in the script or in the style, but the stellar actresses really elevate this movie.  Jessica Chastain is wonderful (and so different from her Tree of Life character) as Celia and Viola Davis is nothing short of astonishing as Abileen, the movie’s moral center.

7. War Horse
Schindler’s List this ain’t, but it was also much better than I anticipated.  Spielberg directs this movie as if it could have been made in 1940, and for the most part that was fine with me.  I was glad to go along with horse Joey on his ride through WW1 history, and I was impressed with the artistry of the scenes of trench warfare.  While entertaining, I think the movie would have been a lot better if the scenes of war had been a bit more harrowing and hard-hitting.

8. The Descendants
I really wanted to like this movie a whole lot more than I did.  Alexander Payne is one of my favorite directors, and this had all the markings of a movie I would love.  While it’s not a bad movie, much of it felt false.  The flying around to various islands, the chasing down of the ex-lover, the land inheritance subplot…. whatever it was, it didn’t really work for me.  The actors all did their best and found some really nice moments, but in the end I just wasn’t completely pulled into the story.

9. Extremely Loud and Incredibly Close:  Best Picture? Really?  I tried to give this movie a chance, and for a while I gave it the benefit of the doubt.  Then my doubts began to pile up.  The child traipsing all around New York? As catharsis from 9/11? What worked well in Jonathan Safron Foer’s novel loses much of its charm on screen.  I have no problem embracing sentiment (see The Help and War Horse), but in this movie I felt overtly manipulated and, finally, just annoyed and ready for it to end.

 

That's all folks!  Thanks for joining us on the look through the year.  

I hope you join us next year for the blog!

Final Oscar Predictions

Here we are on Oscar eve and it's finally time to put my chips down and pick the winners.  Some easy calls and some tough choices.  Here are my picks on who will win, who could win, and who should win.

For the rundown, I ended up picking The Artist for 5 categories, Hugo for 4, The Help for 2, and everything else for no more than 1.  This seems a little weak for such a strong Best Picture frontrunner as The Artist.  It could definitely pick up some others and go as high as 7.  Can't wait to see!

Best Picture

The Artist
The Descendants
Extremely Loud and Incredibly Close
The Help
Hugo
Midnight in Paris
Moneyball
The Tree of Life
War Horse

Will Win: The Artist
Could Win: Hugo
Should Win: The Tree of Life

The Artist is so far our in front, it's hard to even think of what movie might be second.  It's my third favorite of the list (after The Tree of Life and Moneyball), but won't be a bad choice at all.

Best Actor

Demian Bechir, A Better Life
George Clooney, The Descendants
Jean Dujardin, The Artist
Gary Oldman, Tinker Tailor Soldier Spy
Brad Pitt, Moneyball

Will Win: Jean Dujardin, The Artist
Could Win: George Clooney, The Descendants
Should Win: Jean Dujardin, The Artist

Not a bad list.  I'm about evenly tied between Dujardin, Oldman, and Pitt for my preference.  If any of them win over Clooney I'll be happy.

Best Actress

Glenn Close, Albert Nobbs
Rooney Mara, The Girl With the Dragon Tattoo
Viola Davis, The Help
Meryl Streep, The Iron Lady
Michelle Williams, My Week With Marilyn

Will Win: Viola Davis, The Help
Could Win: Meryl Streep, The Iron Lady
Should Win: Viola Davis, The Help

While I've seen all 5 Best Actor nominees, I've only seen The Help from this category.  Viola gave a tremendous performance in a popular Best Picture nominee and it seems like she has the heat.  One of these days Meryl will win another Oscar, but I don't think this is the year.

Supporting Actor

Kenneth Branagh, My Week With Marilyn
Jonah Hill, Moneyball
Nick Nolte, Warrior
Christopher Plummer, Beginners
Max von Sydow, Extremely Loud and Incredibly Close

Will Win: Christopher Plummer, Beginners
Could Win: Max von Sydow, Extremely Loud and Incredibly Close
Should Win: Christopher Plummer, Beginners

Since they are both 82, either Plummer or von Sydow will set the record for oldest acting winner.  This one feels pretty sewn up for Plummer.

Supporting Actress

Berenice Bejo, The Artist
Jessica Chastain, The Help
Melissa McCarthy, Bridesmaids
Janet McTeer, Albert Nobbs
Octavia Spencer, The Help

Will Win: Octavia Spencer, The Help
Could Win: Berenice Bejo, The Artist
Should Win: Jessica Chastain, The Help

Octavia has won almost everything all season, which is too bad since I think she's far from the best in The Help or in this category.  If both Viola and Spencer win, though, it will be the first time Best Actress and Supporting Actress will go to African-American women.

Director

Michel Hazanavicius, The Artist
Alexander Payne, The Descendants
Martin Scorsese, Hugo
Woody Allen, Midnight in Paris
Terrence Malick, The Tree of Life

Will Win: Michel Hazanvicius, The Artist
Could Win: Martin Scorsese, Hugo
Should Win: Terrence Malick, The Tree of Life

Four well-known (or even legendary) American directors and a newcomer Frenchman, and guess who will win?

Best Adapted Screenplay

The Descendants
Hugo
The Ides of March
Moneyball
Tinker Tailor Soldier Spy

Will Win: The Descendants
Could Win: Moneyball
Should Win: Moneyball

While I think this is the category where they'll reward The Descendants, I'm keeping fingers crossed they'll go with the stronger choice and reward the masterful screenplay of Moneyball, which made baseball statistics really fascinating.

Best Original Screenplay

The Artist
Bridesmaids
Margin Call
Midnight in Paris
A Separation

Will Win: Midnight in Paris
Could Win: The Artist
Should Win: A Separation

Often my favorite category at the Oscars, another great lineup.  This is a tight one between likely Best Picture winner The Artist and the charming and popular Midnight in Paris.  I'm guessing they'll want to award Woody something for his biggest hit of all-time (even if he won't show up to accept it).

Best Art Direction

The Artist
Harry Potter and the Deathly Hallows: Part 2
Hugo
Midnight in Paris
War Horse

Will Win: Hugo
Could Win: Harry Potter and the Deathly Hallows: Part 2
Should Win: Hugo

Hugo will win this for its amazing Paris train station.

Best Cinematography

The Artist
The Girl With the Dragon Tattoo
Hugo
The Tree of Life
War Horse

Will Win: The Tree of Life
Could Win: Hugo
Should Win: The Tree of Life!!!

I'm betting that the Oscars can't help but notice some of the most amazing work ever and go with The Tree of Life.  

Best Costume Design

Anonymous
The Artist
Hugo
Jane Eyre
W.E.

Will Win: Hugo
Could Win: The Artist
Should Win: Jane Eyre

I think this is another one they'll give to the visual splendor of Hugo.

Best Film Editing

The Artist
The Descendants
The Girl With the Dragon Tattoo
Hugo
Moneyball

Will Win: The Artist
Could Win: Hugo
Should Win: The Artist

Best Makeup

Albert Nobbs
Harry Potter and the Deathly Hallows: Part 2
The Iron Lady

Will Win: The Iron Lady
Could Win: Harry Potter and the Deathly Hallows: Part 2
Should Win: Harry Potter... (haven't seen the other two)

Best Original Score

The Artist
The Adventures of Tintin
Hugo
Tinker, Tailor, Soldier, Spy
War Horse

Will Win: The Artist
Could Win: Hugo
Should Win: Tinker Tailor Soldier Spy

Without dialogue, the music plays an incredibly important role in The Artist, which I think gives it the win.

Best Song

"Man or Muppet" from The Muppets
"Real in Rio" from Rio

Will Win: "Man or Muppet"
Could Win: "Real in Rio""
Should Win: "Man or Muppet"

What a weird category with weird rules to get nominated.  While I liked the muppets song, it's not even the best one from the movie.

Best Sound Editing

Drive
The Girl With the Dragon Tattoo
Hugo
Transformers: The Dark Side of the Moon
War Horse

Will Win: Hugo
Could Win: War Horse
Should Win: Drive

The only category where Drive, one of the most memorable movies of the year, was nominated.  I think it's a battle between Hugo and War Horse.

Best Sound Mixing

The Girl With the Dragon Tattoo
Hugo
Moneyball
Transformers: The Dark Side of the Moon
War Horse

Will Win: Hugo
Could Win: War Horse
Should Win: War Horse

Another Hugo vs. War Hose race.

Best Visual Effects

Harry Potter and the Deathly Hallows: Part 2
Hugo
Real Steel
Rise of the Planet of the Apes
Transformers: The Dark Side of the Moon

Will Win: Rise of the Planet of the Apes
Could Win: Hugo
Should Win: Rise of the Planet of the Apes

Best Animated Film

Chico & Rita
A Cat in Paris
Kung Fu Panda 2
Puss in Boots
Rango

Will Win: Rango
Could Win: Puss in Boots
Should Win: Rango (Only one I've seen....and not that good).

Without the usual Pixar treasure, an incredibly weak category.

Best Documentary Feature

Hell and Back Again
If a Tree Falls
Paradise Lost 3: Purgatory
Pina
Undefeated

Will Win: Undefeated
Could Win: Paradise Lost 3: Purgatory

Haven't caught any of these this year, but I've heard Undefeated is the most emotional of the bunch, which often points you to your winner.

Foreign Language Film

Bullhead
Footnote
In Darkness
Monsieur Lazhar
A Separation

Will Win: A Separation
Could Win: Monsieur Lazhar
Should Win: A Separation

This category (where voters must see all 5), has a history of making odd choices.  I think A Separation's brilliance will be difficult for even the Academy of deny.

Animated Short

La Luna
Dimanche/Sunday
The Fantastic Flying Books of Mr. Morris Lesmore
A Morning Stroll
Wildlife

Will Win: Mr. Morris Lesmore
Could Win: La Luna

Documentary Short

The Barber of Birmingham
God is the Bigger Elvis
Incident in New Baghdad
Saving Face
The Tsunami and the Cherry Blossom

Will Win: Saving Face
Could Win: The Tsunami and the Cherry Blossom

Live Action Short

Pentecost
Raju
The Shore
Time Freak
Tuba Atlantic

Will Win: Tuba Atlantic
Could Win: The Shore

Oscar Movie Reviews

As Oscar night comes upon us, I thought it was time to give some quick thoughts on movies I've seen that are up for nominations.  I'll start with the last two Best Picture nominees I have yet to review, check out a few more nominees, and end with 3 foreign films I saw over the weekend.


Best Picture Nominees

Extremely Loud and Incredibly Close

The biggest gasps to be heard Oscar morning were probably when this was announced as one of the 9 Best Picture nominees.  And, to quote Amy Poehler and Seth Myers from SNL, "Really, Academy, Really?"  It's place in the Best Picture lineup means that at least 5% of the Academy listed this as their number one choice.  It also has the notorious distinction of being the most poorly reviewed Best Picture nominee in at least the last 20 years.

All of which isn't to say there are no moments of enjoyment to be found in this movie.  I liked the book by Jonathan Safron Foer quite a bit, and some of its charms do make it to the screen.  The movie is about a boy whose father is killed in 9/11.  To deal with his grief and find some meaning, he attempts to discover the secret to a key he has found in his father's belongings.  This journey leads him to traverse the boroughs of New York.  Many of the people he visits are interesting and are worthy of more screen time (especially the wonderful-as-always Viola Davis).  But, by the end of the movie, an odd tone has been struck.  It's a whimsical movie about 9/11 that never feels quite realistic, yet you are expected to be moved and cry at the terrible tragedy of that day.  There were many tears around me, and yet I didn't feel it.  Max Von Sydow is quite good in his Oscar nominated silent role, yet I found Tom Hanks miscast and young Thomas Horn pushing the limits of annoying.  I certainly looked at the time several times throughout the movie, and I don't think the movie honestly earns its sentimentality.

Grade: C+

War Horse

War Horse is another Best Picture nominee that enters the race with somewhat mixed reviews.  I've already given my review by podcast.  I entered expecting a sentimental film, and that's what I got.  I also really enjoyed myself.  The movie starts out with everything a little too heavy-handed, yet it really picks up once our horse Joey (the main character of the movie) goes to war.  I was drawn along with the story and willing to follow this horse as he encounters all sides of World War I.  Spielberg and his collaborators certainly make some questionable choices in the film.  Why accented English instead of subtitles? Why did they pull so many punches in showing the violence of war? Why is the cinematography all so over-the-top "pretty"?  This is certainly not Spielberg's best work, but by the end I was able to embrace its old-fashioned charms and felt it earned by tears, something I couldn't say about Extremely Loud.

Grade: B

Other Nominees

Tinker Tailor Soldier Spy

(Nominated for Best Actor, Best Adapted Screenplay, and Best Score)

Tinker Tailor Soldier Spy is a movie that does a rare thing: it asks the audience to use their brain and be comfortable with ambiguity as they puzzle through the film.  The movie comes from a long novel by John Le Carre that was also a 6-hour miniseries in the 1980s.  This movie clocks in at just a bit more than 2 hours, so the storytelling is obviously extremely streamlined.  I was definitely confused at points throughout the movie, yet I was riveted the whole way through.  Every single period detail seems incredibly authentically  Cold War-era Britain, from the drab suits to the dour office buildings.  The acting is also top-notch.  Gary Oldman leads the cast and gives a remarkably restrained and inward-looking performance as an agent trying to expose a mole in the British intelligence system.  I also loved Tom Hardy as a hidden man with questionable loyalties.  As soon as this movie ended, I read the Wikipedia plot summary (and a few things clicked in), but I also wanted to see it again as soon as possible.

Grade: A-

The Ides of March

(Nominated for Best Original Screenplay)

The Ides of March is well-acted, never boring, artfully put together, topical, and yet not particularly ground-breaking.  Ryan Gosling goes 3-for-3 in good 2011 performances that show his range (compare him here to Crazy, Stupid, Love and Drive), and Philip Seymour Hoffman and Evan Rachel Wood also give good supporting performances.  This movie is about a campaign worker who gradually comes to discover that the candidate he is working for (played by George Clooney, who also directs) has some skeletons in the closet.  Definitely worth a watch, but missing that extra something that makes for a great movie.

Grade: B

The Rise of the Planet of the Apes

(Nominated for Best Visual Effects)

This summer blockbuster is a whole lot of fun and features a remarkable performance-capture performance by Andy Serkis (who also did Gollum from The Lord of the Rings films).  It's a prequel to the original Apes movie, and this one brings the audience firmly onto the side of the Apes, who are cruelly used until they decide to rise up.  The humans aren't given particularly interesting characters in the movie, but there are some amazing action sequences, particularly the climactic chase and fight on the Golden Gate Bridge.  

Grade: B

Foreign Film Nominees

A Separation

(Also nominated for Best Original Screenplay)

Every year National Geographic screens the 5 Foreign Film nominees, and I was able to catch 3 of them this year.  Far and away the best I saw, as well as easily one of the best films of the year, was A Separation, from Iran.

To reveal too much of the plot is to do a disservice to the viewer.  I'll just say that this movie starts with a couple deciding to separate and moves on to the consequences that result from this decision.  Along the way, this decision impacts several characters in two very different families.  Watching this movie, I was reminded of how shallow so many movies (even relatively good ones) are.  Since seeing it Friday, I've been thinking about the characters and their struggles constantly.  Both on the surface and beneath are deep and engrossing questions about gender, religion, marriage, children, moral ambiguity, and modern Iran.  It's all done with no preaching, no heroes, and no villains.  It's also damn engrossing as it turns into a legal thriller as well.  It also has one of the most haunting and moving finales I've seen in a long time.  If this movie is playing around you, see it as soon as possible.

Grade: A

Footnote

A movie about dueling Israeli academics, who happen to be father and son, this movie shows the huge stakes that academics put around small things-such as honors, awards, and citations in others' work.  It starts amusingly with a brisk pace and clever introductions to the characters.  Unfortunately, it then moves to a rather boring place, neither funny nor serious enough to interest the viewer.  By the end, I was ready for it to end.  I'm a bit puzzled at how this movie made it to the final 5.

Grade: C

Monsieur Lazhar

A sweet, gentle movie about a kind teacher and his impact on children.  This movie comes from Quebec and concerns an Algerian immigrant who takes over a class of children after their last teacher commits suicide.  The movie quietly looks at the cultural clashes that occur, and the care that this man (who harbors his own scars) gives to the students in their vulnerable time.  Along the way, the movie also makes some cogent points about modern education's distrust of messy emotions and deep relationships between teachers and students.  

Grade: B+

War Horse Podcast

I finally see all 9 Best Picture nominees with a viewing of War Horse.  Listen as my friend Erik and me as we discuss Spielberg's historical drama!

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Or, subscribe to my podcast through itunes.

Nominations Podcast

The nominations came, and there were definitely some small and big surprises.

For the categories I predicted (not including Best Picture, with its confusing new rules), I went 30/35, or 86%.  Last year I got 87%, so I'm consistent at least.  Listen below for my thoughts!  Or, find us on itunes!

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Final Oscar Predictions

Oscar nomination morning is tomorrow (kind of like Christmas for me....) so it's time to do my final predictions.

This year is trickier than most, I think.  There are a few categories that feel really unsettled.   I'll list what I predict in order of likelihood.  We'll see how I do!

Picture

The Artist
The Descendants
The Help
Hugo
Midnight in Paris
Moneyball

Possibilities
The Girl With the Dragon Tattoo
The Tree of Life
War Horse
Bridesmaids
Tinker Tailor Soldier Spy

This is obviously the hardest to predict as, due to some sort of complex new rules, there will be anywhere between 5-10 nominees.  I'm going with 6 for now, although I almost went with 7 and put in Dragon Tattoo.

Actor

George Clooney, The Descendants
Brad Pitt, Moneyball
Jean DuJardin, The Artist
Michael Fassbender, Shame
Gary Oldman, Tinker Tailor Soldier Spy

Possibilities
Leonardo DiCaprio, J. Edgar
Michael Shannon, Take Shelter
Damian Bechir, A Better Life

The top 4 I'm predicting have shown up the most often on the precursors.  The Top 3 are surefire, the last 2 I'm not so sure.  Is Shame too explicit? Will they really nominate Leo for a movie nobody loved?  Will the Brits in the Academy nominate Oldman?  Will Shannon surprise, as he did for Revolutionary Road a few years ago?  Perhaps against my better judgment, I'm betting against Leo in a Eastwood biopic and instead going with Gary Oldman for the last spot.  We shall see.

Actress

Meryl Streep, The Iron Lady
Viola Davis, The Help
Michelle Williams, My Week With Marilyn
Glenn Close, Albert Nobbs
Tilda Swinton, We Need to Talk About Kevin

Possibilities
Rooney Mara, The Girl With the Dragon Tattoo
Charlize Theron, Young Adult
Elizabeth Olsen, Martha Marcy May Marlene
Kirsten Dunst, Melancholia
Kristen Wiig, Bridesmaids

The 5 I'm predicting are kind of the consensus list.  In a really strong year for Best Actress contenders, I'm wondering if we won't see a surprise.  I won't be too surprised if Mara shows up since she is getting lots of buzz.  I will be thrilled if Theron or Olsen somehow makes it in.

Supporting Actor

Christopher Plummer, Beginners
Kenneth Branagh, My Week With Marilyn
Jonah Hill, Moneyball
Albert Brooks, Drive
Nick Nolte, Warrior

Possibilities
Corey Stoll, Midnight in Paris
Brad Pitt, The Tree of Life
Patton Oswalt, Young Adult
Ben Kingsley, Hugo
Viggo Mortenson, A Dangerous Method

As with Best Actress, I'm playing it safe and going with the consensus list.  I feel like someone unexpected might make it through though.  I'm most hoping for Stoll (an amazing Ernest Hemingway) or Pitt (giving him 2 nominations).

Supporting Actress

Octavia Spencer, The Help
Berenice Bejo, The Artist
Jessica Chastain, The Help
Melissa McCarthy, Bridesmaids
Janet McTeer, Albert Nobbs

Possibilites
Shailene Woodley, The Descendants
Carey Mulligan, Shame
Vanessa Redgrave, Coriolanus

This seems very much like a 6-person race.  I think either McTeer or Woodley is out.  I'm guessing Woodley gets left out.

Director

Michel Hazanivicus, The Artist
Martin Scorsese, Hugo
Woody Allen, Midnight in Paris
Alexander Payne, The Descendants
Terrence Malick, The Tree of Life

Possibilities
David Fincher, The Girl With the Dragon Tattoo
Tate Taylor, The Help
Nicolas Winding Refn, Drive
Asghar Fahadi, A Separation

Even though I'm not predicting The Tree of Life (my favorite of the year) for a Best Picture nomination, I still think Malick will make it through here.  I'm hoping that at least the director's branch will see what a true directorial vision The Tree of Life was.  Wishful thinking perhaps, but my fingers are crossed.

Original Screenplay

Midnight in Paris
The Artist
Bridesmaids
50/50
A Separation

Possibilities
Win Win
Young Adult
Margin Call

Adapted Screenplay

The Descendants
Moneyball
The Help
Hugo
Tinker Tailor Soldier Spy

Possibilites
The Girl With the Dragon Tattoo
The Ides of March

Golden Globes Live Blog

Overall thoughts...... not an overly exciting show, but it certainly helped to clarify the Oscar race.  It looks like George Clooney, Christopher Plummer, and Octavia Spencer are ahead in the race for Oscar.  I think Actress is still a nice 3-way race between Streep, Michelle Williams, and Viola Davis (who just won the Broadcast Film Critics Award).

Also, Ricky Gervais was a bit much even for me.  Let's get someone else next year.

Thanks for following!!

10:55

Motion Picture Drama.... The Descendants.  Meh.  More thoughts on this movie here.

11/14.

10:48

Actor in a Drama....George Clooney in The Descendants.  I really don't want this performance to win the Oscar.  I found The Descendants pretty disappointing and was hoping Brad Pitt could come through here.  Ah well.

10/13, my percentage is dropping.

10:40

Best Picture Comedy/Musical... The Artist, of course.  And UGGIE the dog comes on stage!!  Have you all seen The Artist yet?  It's certainly the crowd-pleaser of the year.  10/12

10:35

Actress in a Drama.... Meryl Streep in The Iron Lady.  So gracious in her speech.  I love Meryl but I was hoping Viola would win this one.  I certainly had my problems with The Help, but Viola added so much to that movie.  Didn't predict another one, so 9/11.

10:25

Actor Comedy/Musical.... Jean DuJardin in the Artist.  I've heard he's just been learning some English to work the awards circuit.  Quite impressive I think.  Also love the silent bit!  9/10 so far.

10:17

TV Comedy.... Modern Family!  I'm certainly glad Glee didn't win, because I think it's jumped the shark about 20 times over.  I really like Modern Family, but why no nominations for 30 Rock or Parks and Recreation??

Also, the translation bit is funny, but a little rehearsed, like they were too sure they would win.

10:13

Best Director.... Martin Scorsese for Hugo.  Not my absolute favorite of the nominated movies, but you can tell it was such a labor of love for Scorsese.  I love how much he loves movies.

Doing well on my predictions!  8/9.

10:02

Cecil B. DeMille Honorary award to Morgan Freeman.  What are your favorite performances?  I like Shawshank, Glory, and Unforgiven.  Damn it if I didn't tear up watching those Shawshank clips.

9:47

Supporting Actress... Octavia Spencer in The Help.  While not my favorite performance in The Help (I was hoping Jessica Chastain would win this), I'm glad for her.  This was a competitive category, so this may just set her on the path to Oscar.

7/8 on my predictions.

9:44

Actor in a Comedy.... Matt LeBlanc in Episodes.  This just reminds me that I wasted a lot of hours in my life watching friends.

9:36

Actress in a TV Drama... Claire Danes in Homeland.  Angela Chase (from My So-Called Life) will always hold a place in my heart.

9:32

Foreign Film.... A Separation.  I've only heard remarkable things about this movie.  I cannot wait to see it.

6/7 so far.

9:24

Supporting Actress/TV.... Jessica Lange, American Horror Story.  Have not seen this, but I know that it also stars Connie Britten from Friday Night Lights.  Her portrayal of Tami Taylor over 5 seasons of FNL was truly a work of beauty.  Watch them all if you haven't.

9:22

Best Screenplay.... Midnight in Paris.  5/6.  Woody NEVER comes to awards shows.  He didn't even show up to the Oscars when he won Best Picture in '77 for Annie Hall.

9:13

Animated Film.... The Adventures of Tintin.  I've only seen Rango of the nominees, and I was not a big fan.

4/5

9:10

Supporting Actor in TV... Peter Dinklage in Game of Thrones.  Another I'm looking forward to catching up with on DVD.  Also, do you think other little people are mad that Dinklage gets every single role written for them??

9:02

Erection joke from Seth Rogen. Classic.

Actress in Comedy/Musical..... course Michelle Williams for the "hysterically funny" My Week With Marilyn.  The joke is that they only qualified it in Comedy/Musical (an easier category for Michelle to win) by having a couple musical numbers in it.  3/4 on my predictions.

8:59

Actor in a Drama.... Idris Elba!! I haven't seen the show Luther, but I will ALWAYS be excited when an alum from The Wire wins something.  And he was up against McNulty.  Go Stringer!

8:50

Best Score... The Artist.  How could it not win?  Without dialogue, it had so much work to do. 2/2

Best Song... Masterpiece from W.E.  This movie was directed by Madonna and looks really bad.  The Globes really love their stars... I missed this one, so 2/3.  Also, why does Madonna always slip in and out of a British accent?

8:36

Actor TV Drama.... Frasier (Kelsey Grammer) in Boss.  I know nothing about this show.  I am in the midst of watching Breaking Bad Season 2, and Bryan Cranston is awesome. He should have won.

TV Series Drama.... Homeland.  I've heard great things but I am cableless and it's on Showtime.  Guess I'll wait for Netflix.

8:21

TV Movie/Miniseries.... Downton Abbey of course because it is so crazy good and addicting.  Watch Season 1 if you haven't-it's on Netflix Watch Now.  I can't wait to catch up with Season 2.

Actress Miniseries/Movie... Katie Winslet in Mildred Pierce of course.  She's probably my favorite modern actress.  And looking good tonight.

8:15

TV Comedy Actress.... Laura Dern in Enlightened.  Haven't seen this show but heard it's good and am really glad that Zooey Deschanel didn't win.  I was hoping for a Tina Fey or Amy Poehler speech, though.

8:10

Supporting Actor... Christopher Plummer in Beginners!  A great performance if you haven't seen the movie yet.  I expect he'll be repeating this at the Oscars. 1/1 on predictions.

8:06

Wow, Ricky Gervais is trying to outdo his off-color remarks from last year.  The Jodie Foster and Justin Bieber remarks especially.... yikes.

7:46

OK, the fashion portion of the show is definitely not my strong suit.  Nevertheless, I have to say that Charlize Theron, Tina Fey, Viola Davis, and Emma Stone were looking great.  And I love Amy Poehler, but her dress is terrible.  Also, I find Zooey Deschanel and think she acts like she is 16. She said she painted her nails with tuxedos so that they were her date..... ugh.

7:00

I'll be liveblogging tonight for the Golden Globes, which have become the awards seasons second-biggest night.  They are important for a couple of reasons.  They give us a sense of momentum in the race, and, if winners give really great acceptance speeches, it can definitely help them on their road to Oscars.... So Below is my blog.  Newest posts will be on top!

Before the red carpet even starts, here are some predictions for the movie categories!

Picture-Drama (The Descendants, The Help, Hugo, The Ides of March, Moneyball, War Horse)
Will Win: The Descendants
Runner Up: The Help
Should Win: Moneyball

Tough call.  I think it could go The Descendants, The Help, or Hugo.

Actor-Drama (George Clooney, Leonardo DiCaprio, Michael Fassbender, Ryan Gosling, Brad Pitt)
Will Win: Brad Pitt (Moneyball)
Alternate: George Clooney (The Descendants)
Should Win: Michael Fassbender (Shame)

This is definitely Clooney vs. Pitt, and I really hope Pitt pulls it out.  He was so terrific in Moneyball, and I think Clooney has given better performances before.

Actress-Drama (Glenn Close, Viola Davis, Rooney Mara, Meryl Streep, Tilda Swinton)
Will Win: Viola Davis (The Help)
Alternate: Meryl Streep (The Iron Lady)
Should Win: Viola Davis.  Actually the only one I've seen, but she deserves it.

A real horse race between Davis and Streep, as I expect it might be throughout the rest of the season.

Picture-Comedy/Musical (50/50, The Artist, Bridesmaids, Midnight in Paris, My Week with Marilyn)
Will Win: The Artist
Alternate: Midnight in Paris
Should Win: The Artist

Nothing much to say.  The Artist will definitely win here.  Last year this category was kind of a dumping ground, but this year a lot of really good movies showed up.

Actor-Comedy/Musical (Jean DuJardin, Brendan Gleeson, Joseph Gordon-Levitt, Ryan Gosling, Owen Wilson)
Will Win: Jean DuJardin (The Artist)
Alternate: Joseph Gordon-Levitt (50/50)
Should Win: Jean DuJardin (The Artist)

The Comedy/Musical acting awards are very locked up.

Actress-Comedy/Musical (Jodie Foster, Charlize Theron, Kristen Wiig, Michelle Williams, Kate Winslet)
Will Win: Michelle Williams (My Week With Marilyn)
Alternate: Kristen Wiig (Bridesmaids)
Should Win: Charlize Theron (Young Adult0

Another lock.

Supporting Actor (Kenneth Branagh, Albert Brooks, Jonah Hill, Viggo Mortenson, Christopher Plummer)
Will Win: Christopher Plummer (Beginners)
Alternate: Kenneth Branagh (My Week With Marilyn)
Should Win: Christopher Plummer (Beginners)

Supporting Actress (Berenice Bejo, Jessica Chastain, Janet McTerr, Octavia Spencer, Shailene Woodley)
Will Win: Octavia Spencer (The Help)
Alternate: Berenice Bejo (The Artist)
Should Win: Jessica Chastain (The Help)

A little up in the air category.  Hard to pick between Spencer and Bejo, and I even think Chastain has a chance.  Look for whoever wins here to get major Oscar momentum.

Director (Woody Allen, George Clooney, Michel Hazanivicus, Alexander Payne, Martin Scorsese)
Will Win: Martin Scorsese (Hugo)
Alternate: Michel Hazanivicus (The Artist)
Should Win: Michel Hazanivicus (The Artist)

If Hazanivicus wins, The Artist is on a major role.  The Globes tends to love star directors though, so my money is on Scorsese.

Other quick predicitions:
Foreign Film: A Separation
Screenplay: Midnight in Paris
Original Song: The Living Proof (The Help)
Score: The Artist
Animated: The Adventures of Tintin

Review Round-Up: The Artist, Hugo, Shame, Young Adult....

Now is the time of year when studios release “Oscar” movies,  movies I missed in theaters come out on DVD, and I get a nice little break from work.  Needelss to say, I’ve recently seen a few 2011 releases.  Here are some thoughts on them.

  

In Theaters

The Artist

The Artist is a silent, black-and-white, French movie that is the crowd-pleaser of the year and probably the frontrunner for Best Picture.  I was thoroughly charmed by The Artist.   The story is about movie star George Valentin (Jean Dujardin) who spirals down with the advent of “talkies,” and the young ingénue Peppy Miller (Berenice Bejo), who finds her own star on the rise.  These two actors, prominent in their native France, could not be more well-suited to their roles.  Director Michel Havanicus stages the movie with limited dialogue cards, and the two stars have to portray so much with their faces and bodies.  They echo the greats of the past while at the same time feeling completely fresh.

 For a lover of film such as myself, The Artist has numerous points of reference that play not as steals but rather as loving echoes to great films of the past.  The story has clear hints of A Star is Born, Singin’ in the Rain, and Sunset Boulevard, while stylistic elements remind viewers of Citizen Kane, The Thin Man series (the adorable dog!!), and Fred and Ginger movies.  With all of this nostalgic look back, is there a message for us now?  I’m not quite sure, and I don’t quite think it has the depth of Far From Heaven (2002), where director Todd Haynes used the style of 1950s melodrama to both portray and comment upon that time period and our own.   A lark it may be, but it’s a delightful trip for movie buffs and casual viewers alike.

Grade: A-

Hugo

Hugo is another movie that looks backward at silent film.  It’s not giving too much away to say that this story of  a young orphan in a Paris train station eventually expands to include a celebration of the advent of film.  Hugo comes to us from director Martin Scorsese, but this is certainly not the Mean Streets of gangsters, boxers, or taxi drivers.  Scorsese and his collaborators have created a movie that has to be one of the most gorgeously designed movies I’ve seen.  The train station is intricately detailed, the costumes are colorful and distinctive, and all of Paris feels pulled out of a storybook (as it was adapted from the wonderful young adult book The Adventures of Hugo Cabret). 

Hugo consists, more or less, or two halves.  One half shows us Hugo’s life in the train station, his meeting of a young friend, and his obsession with an “automaton” of his dead father’s.  The second half shifts our focus onto “Papa George,” an elderly man who runs a toy shop in the train station.  As the movie develops, the two stories intersect in ways that I won’t fully reveal here.  I think the movie is strongest in its first half hour or so, as we are brought into this gorgeous world, and in its second half, and the emotional heft of the film hits the viewer.   For what is a family movie, it feels a little overlong, and I think Scorsese could have cut about 15 minutes and made a tighter, stronger movie.  It’s a labor of love for Scorsese and, like The Artist, sure to be a hit for those who are emotional about the movies.

Grade: B+

Shame

Care to take a turn away from the nostalgia and sweetness of The Artist and Hugo?  Shame is most decidedly a movie about the way some people live now, trapped in money and gratification over relationships.  Michael Fassbender gives what I think is the performance of the year in this movie about a sex addict.  This movie, somewhat infamous for its NC-17 rating, is both fairly explicit and decidedly unsexy. 

Michael is a character who treats his whole life as an opportunity for sexual escape, and director Steve McQueen (no, not the 1970s star) does an excellent job of consuming us in his head as the movie opens.  The somewhat minimalist plot is primarily about Michael’s relationship with his sister Sissy, played by Carey Mulligan, a similarly troubled person who comes to visit him.  Fassbender and Mulligan are absolutely fearless and riveting in their roles as damaged siblings.  I was also impressed by Nicole Beharie who plays a co-worker of Brandon’s who tries to have a normal romantic relationship with him.  The plot of this movie is not so different from addiction movies you’ve seen before, but what sets it apart is the supreme directorial control over the movie.  McQueen films scenes in long takes that immerse you in the experience, cause discomfort, and allow for reflection.  Easy to watch it’s not, but I think it’s one of the best movies of the year.

Grade: A

Young Adult

I was decidedly not a fan of screenwriter Diablo Cody’s annoying contrived Juno, so I went into this movie with low-to-moderate expectations.  I’m happy to say that it was easily one of the most pleasant surprises of the year.

Charlize Theron plays Mavis, a young-adult fiction ghostwriter who returns to her small Minnesota town to try to win back her high school boyfriend, who happens to be married with a  child.  Mavis does some truly terrible things in this movie, and I know her character turns some people off of the movie.  I couldn’t get enough of Charlize Theron’s brilliant performance.  She makes Mavis both hilarious and pathetic.  I also credit Diablo Cody with writing a script that doesn’t go for the easy notes or the tidy ending.  She pushes Mavis’ actions to their logical conclusion. 

Grade: A

On DVD

A Better Life

Mexican actor Demian Bechir recently received a surprise Screen Actors Guild nomianation for this movie, and he is excellent.  He plays an illegal-immigrant gardener in L.A. who is struggling to make a better living for his teenage son, who is also being tempeted by the gang life.  If the story sounds a bit familiar, it’s because it feels that way as you are watching it too.  While Bechir was very strong in the lead role, the whole movie felt overly familiar, like a TV-movie I’ve seen before.

Grade: C+

Crazy, Stupid, Love

In a landscape of romantic comedies which I usually avoid at all costs, this movie came as a pleasant surprise.   I can’t remember the last rom-com I saw where I didn’t anticipate every plot twist, and this time I didn’t.  The movie takes it’s time looking at it’s central 4 characters, played by Steve Carrell, Julianne Moore, Ryan Gosling, and Emma Stone.  With a cast like that, we expect some great acting moments, and the foursome delivered.  I especially liked the interactions between Ryan Gosling, as a young lothario, and Emma Stone, as a more reserved young lawyer. These two actors are obviously two stars on the rise, and it is fun to watch them together.  I was less impressed at the subplot involving Carrell and Moore’s teenage son and the babysitter, and the movie doesn’t entirely steer clear of clichés.  All in all, though, a fun, light movie with some really good performances.

Grade: B

Margin Call

Sporting a prominent cast that includes Kevin Spacey, Jeremy Irons, and Demi Moore, this is a fictional movie detailing the fall of a Lehman Brotherseque financial firm.  I liked the way the movie is tightly focused and takes place all in several hours.  It gives viewers a good sense of what is might have felt like when everything fell apart.  I appreciated it more on an intellectual level, however, than an emotional one.  This movie has been winning a lot of best first director prizes, rather surprisingly , over Martha Marcy May Marlene, and I don’t quite see the enthusiasm.

 Grade: B

Meek’s Cutoff

The third feature from director Kelly Reichart, who made Wendy and Lucy and Old Joy.  This movie travels far back in time to look at pioneers traversing the arid terrain through Oregon.  I loved the way this movie deconstructs the whole Western genre.  There are fights here, but they are over hushed campfires and not done on horseback.  There is “Cowboy-Indian” drama, but it is mysterious and fraught with anxiety rather than moral certitude.  Michelle Williams has the lead role as the most independent of the travelers, and Bruce Greenwood is ominous as the unhinged Meek, who is leading the group.  It’s sense of foreboding and ambivalence is a little unsettling to watch, but this is a movie that has stayed with me.   


Grade: B+

Podcast: Melancholia

I'm back with my third podcast (joined once again by my wife Emily) to discuss Lars Von Trier's Melancholia.

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The Descendants and The Muppets

The Descendants

There are few modern directors who I admire and enjoy as much as Alexander Payne. Before The Descendants, he only made 4 movies, but they add to quite a considerable achievement. After warming up with the very funny satire Citizen Ruth (1996), Payne perfected his comic timing in Election (1999), one of the best movies of one of the best years in modern cinema. He then added more humanity and heartbreak in About Schmidt (2002), and created another winner with the almost-great comedy-drama Sideways (2004).

After a 7 year hiatus, he's back with The Descendants, which is picking up great reviews and a lot of Oscar buzz. I'm sorry to say that it is, while definitely worth seeing, my least favorite of his films.

I came away from The Descendants thinking it was very enjoyable but also feeling let down that it was not more terrific. It's a comedy-drama (definitely leaning more towards the drama) about Matt King (George Clooney), a wealthy lawyer in Hawaii whose wife is in a coma. He then finds out she had been having an affair and, accompanied by his two daughters, vows to find this man.

There are so many great things about The Descendants that I'm still trying to figure out why I didn't like it more. As he did with Omaha in his first 3 movies, and with Santa Barbara in Sideways, Payne does a great job of providing an authentic setting with the Hawaii of this movie. It's beautiful, yes, but also a little odd and rough around the edges. It feels like a place where people really live. The cast is also uniformly excellent. Clooney is as good as ever, and the supporting performances are strong. Shailene Woodley is believeable and prickly as Clooney's troubled teenage daughter. My personal favorite was Judy Greer, who shows a lot of depth and emotion in just a couple key scenes.

So why didn't I like it more? To me, it seemed to be milking the sentiment a little too heavily, and I didn't feel like we quite got inside the characters enough to become fully invested. It's not giving too much away to say that Matt's wife is in a coma throughout the movie. What was she like? How did she act? We get clues, but don't really know. And yet she is a key part of most of the emotional scenes. I also felt like the subplot, about selling a piece of land in Hawaii, didn't quite connect enough to the main story or have enough emotional heft on its own.

All of this is not to say skip the movie. By all means see it. Alexander Payne is a talented director and there are many things to like about this movie. It just didn't meet by admittedly sky-high expectations.

Grade: B-

The Muppets

If there's a movie from the past few years where I smiled more, I don't know what it is. My wife, friend, and I saw this movie at 7:30 on a Friday night. The theater was probably about about 80% folks in their 20s and 30s. Are we a tad nostalgic?

The Muppets completely plays on the nostalgia of its older audience members. The concept of the movie is that the Muppets are now washed up (except for Ms. Piggy, now a Vogue editor), and have to come back together to save their old theater. Yes, the old "let's put on a show" plot, which the movie acknowledges with a gigantic wink.

The human friends of this movie are Jason Segal and Amy Adams. They are so wide-eyed, wholesome, fun, and game, that they fit right in with the Muppets. There is also an endearing new Muppet, Walter, who is the brother to Jason Segal's character.

It's hard to remember all the parts that made me smile and laugh, but they were plentiful. The movie struck just the right tone between sentiment, corny humor, and modern in-jokes. If you love the classic Muppet movies, you will definitely need to see this. It perhaps has a few too many plot points that don't get tied up as well as they should, but that's a small quibble for such an enjoyable movie.

Grade: B+

Podcast: Martha Marcy May Marlene

After a successful first podcast, we're back with another! This time I'm joined by my wife Emily to discuss the fascinating Martha Marcy May Marlene. Have a listen!

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